Gregorian Chant for Opera Singers

Wow, the closed Italian [u] – why Italian? – why did Gregorian chant, opera, and singing in a certain way seemingly start in Italy? Their language was the main reason, and of course, we must consider that because it started there, it started because of their language.

Denes Striny, Great Singers, An Endangered Species, How to Get Back to Mother Nature, Page 43

I could pose a similar question from a New Zealand perspective. Why are there so many stunning Pacific Island Opera Singers? Their language is the main reason.

Language for some of us Kiwis is a challenge. How do we train our mouths to speak like an Italian or a Pacific Islander or a native Te Reo speaker?

Here is one way. It is cheap, easy and will save you doing a three year Italian degree like I did.

Listen to Gregorian Chant!

This post contains a Gregorian playlist for listening while you take that daily walk. (You will need Spotify to access the entire track).

Language is my everyday struggle because I have a thick Kiwi accent with more than a hint of Aussie – could it get any worse – ha ha ha! Yes, it could. I love pop music which means I am often singing around the house in chest voice trying to be Beyonce!

Gregorian chant is the perfect remedy. The language is focussed on the [u] vowel, there is no chest voice, the vocal range is not taxing and the singers sing directly onto the note (no scooping).

Put your headphones on and have a go at imitating this. Imitation is training. Training your lips to feel the [u] shape and to maintain the [u] sensation in every other vowel.

Training, training, training! Training your ear. Training your muscles. Training, training, training!

Published by Deborah Wai Kapohe

I am a professional classical singer with strong crossover ability. I have been in the music business since my graduation from University in 1994. In addition to singing, I have been trained to a high level in classical guitar and brass. My guitar playing enables me to self accompany; I perform professionally as a self-accompanied singer. My brass playing facilitates my playing of Taonga Puoro (traditional Māori instruments). I have begun to focus on my YouTube channel now that my studio is full. I have called this channel 'The Complete Singer' because I am not only a singer, but also a teacher and singer-songwriter; I write songs professionally as well as for relaxation. I believe that old fashioned singing techniques, developed over hundreds of years in Italy, should form the foundation of good singing. I practice exercises daily from books written by Garcia, Marchesi and Melba. In addition to these exercises, I add modern singing exercises. Therefore, this forms the basis of my teaching.

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