Recommended Reading and Listening: Bel Canto/The Old Italian School of Singing

Pathway to Bel Canto

I have found the following books, manuals and listening to be a ‘pathway’ to studying a way of singing that some refer to as ‘Bel Canto’. Others may refer to it as the ‘Old Italian School of Singing’. Others may describe it as the ‘Italian School of Singing’. (For me, the last description is unreliable because the Italians adapted their singing techniques in the early 20th century to meet the new demands placed on the voice by verismo composers).

There is a great deal of confusion about the term ‘Bel Canto’. This is because the term can mean different things in different contexts. The list below is the ‘pathway’ to ‘Bel Canto’ as I understand it to be; a way of singing as described by Celletti (see below) and taught by Klein’s phono-vocal method (see below) and heard on some (not all) of the early gramophone recordings (thankfully there are some modern examples of ‘Bel Canto’ too, see below).

I don’t think ‘Bel Canto’ should be only academic. I think it must be experienced in the same way that riding a bike must be experienced. In other words, studying books on how to ride a bike does very little for the person who cannot ride a bike but wants to go for a bike ride in Amsterdam. Accordingly, I recommend a good starting point is to try the exercises of Garcia Snr. or Melba (see below). Both books are uncomplicated and free to download on the internet.

Celletti, Rodolfo. A history of Bel Canto. Oxford University Press. 1991.

Garcia, Manuel,Snr. Exercises pour la voix. Between 1819-1822?

Garcia, Manuel, Jnr. Hints on Singing. Canoga Park, Calif. Summit Pub. Co. 1970.

Klein, Hermann, and William R. Moran. Herman Klein and the Gramophone : Being a Series of Essays on the Bel Canto (1923), the Gramophone and the Singer (1924-1934), and Reviews of New Classical Vocal Recordings (1925-1934), and Other Writings from the Gramophone. Portland, Or.: Amadeus Press. 1990.

Melba, Nellie Dame. Melba Method: Part One. Breathing and Other Exercises, Examples, and My Daily Exercises. Part Two. Vocalises. London. Chappell & Co. 1926.

Nicola Porpora. 25 Vocalizzi. Published somewhere between 1686 and 1768.

Pilotti, Katarina. On my re-training to Chiaroscuro. Master’s Thesis at the Academy of Music, Orebro University, Sweden 2009.

Radomski, James. Manuel García (1775-1832): Chronicle of the Life of a bel canto Tenor at the Dawn of Romanticism. Oxford University Press. 2000.

Daniel James Shigo, and Hermann Klein. Hidden in Plain Sight : The Hermann Klein Phono-Vocal Method Based Upon the Famous School of Manuel Garcia. New York, NY: VoiceTalkPublications. 2013.

Striny, Denes. Head First: The Language of the Head Voice: A Concise Study of Learning to Sing in the Head Voice. 2007.

Collection of examples of mostly pre-Verismo voices.

Published by Deborah Wai Kapohe

I am a professional classical singer with strong crossover ability. I have been in the music business since my graduation from University in 1994. In addition to singing, I have been trained to a high level in classical guitar and brass. My guitar playing enables me to self accompany; I perform professionally as a self-accompanied singer. My brass playing facilitates my playing of Taonga Puoro (traditional Māori instruments). I have begun to focus on my YouTube channel now that my studio is full. I have called this channel 'The Complete Singer' because I am not only a singer, but also a teacher and singer-songwriter; I write songs professionally as well as for relaxation. I believe that old fashioned singing techniques, developed over hundreds of years in Italy, should form the foundation of good singing. I practice exercises daily from books written by Garcia, Marchesi and Melba. In addition to these exercises, I add modern singing exercises. Therefore, this forms the basis of my teaching.

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