Buying a voice

One of the greatest singing teachers: Porpora

Over the last six months, I have observed a number of young singers learning from two singing teachers at once. Often, without the singing teachers agreeing to this or, even worse, being told!

This trend is understandable if the teachers complement each other and work together. For example, one teacher is a classical teacher and the other has the knowledge to add some cross-over techniques to the tool kit. However, this is, the majority of the time, not what I am seeing. Rather, I am noticing students learning from more than one classical singing teacher.

In other words, some students (or their parents) believe one can buy a voice.

Unfortunately, nothing is further from the truth.

First, a voice is a gift. Secondly, the training of the voice takes many, many years. During these years, one must have faith in their chosen teacher.

One classical singing teacher is enough. This is because classical singing is athletic. Accordingly, the singing teacher will have a method that they will follow step by step. Building slowly, slowly.

By all means, find a movement teacher, piano teacher, Italian teacher, French teacher, German teacher, Spanish teacher, Theory teacher and personal trainer etc. But, another classical singing teacher? What for?

A student should seek the right teacher for them and then be prepared to stand up, face the mirror, find a starting note and practise what their teacher has asked them to do. Paying two, twenty or two hundred singing teachers will not change this fact.

I strongly discourage singing teachers from allowing themselves to be part of this practice. This practice will confuse the student.

This will not work.

One cannot, and I repeat, cannot, buy a voice.

Published by Deborah Wai Kapohe

I am a professional classical singer with strong crossover ability. I have been in the music business since my graduation from University in 1994. In addition to singing, I have been trained to a high level in classical guitar and brass. My guitar playing enables me to self accompany; I perform professionally as a self-accompanied singer. My brass playing facilitates my playing of Taonga Puoro (traditional Māori instruments). I have begun to focus on my YouTube channel now that my studio is full. I have called this channel 'The Complete Singer' because I am not only a singer, but also a teacher and singer-songwriter; I write songs professionally as well as for relaxation. I believe that old fashioned singing techniques, developed over hundreds of years in Italy, should form the foundation of good singing. I practice exercises daily from books written by Garcia, Marchesi and Melba. In addition to these exercises, I add modern singing exercises. Therefore, this forms the basis of my teaching.

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