Advice for the Rock Voice

Here is a soundtrack of a 14-year-old singer, pictured here (his guitar teacher is Michael Sumner). Here is the vocal advice that I gave him when I coached him and assisted with the band’s writing of this song.

The E.C.H.O

The human voice can only take so much; work out how to achieve an effect as efficiently as possible. An example of this is to use consonants; can consonants achieve the aggressive effect one wants without screaming? If so, use your lips, teeth & abs to deliver snappy consonants; practice consonants as much as vowels because it is all part of singing.

Rest the voice. An example of this is to take a day off a week from singing.

Hydrate.

Be involved in the writing process. As the lead singer, you are the one who will sing the song! What feels natural to you & most importantly, what is your sustainable range.

Learn what a ‘balanced onset’ is. Go to a classical singing teacher, not a contemporary teacher. The two styles have slightly different takes on what balance is. If you can, go to a Bel Canto teacher. Once you have learned to onset your sound with a ‘balanced’ onset then you will need to speak like this as well as sing like this. Don’t use a balanced onset all the time – plan out when to give a hard onset or aspirated onset for effect. But, when you give a hard onset or aspirated onset, be mindful that it costs you more! Singing is like a bank account – if you budget then you will have enough, if you don’t you will blow it.

Focus on your head voice when you are warming up. ‘Oooo’ attracts the head voice like moths are attracted to light. Sing ‘oooo’ enough and you will unlock tone colors and a range that you didn’t know existed in your voice; my singers vocalize with me throughout a range of about three to four octaves.

Don’t overdo it. When you begin singing lessons, begin with five minutes a day. Would you go to the gym and expect your body to instantly respond? No. Then why do you expect that of the muscles that are involved in singing?

If you play guitar. Look at your alignment. Your alignment needs to be as healthy as possible – not easy with a guitar.

Use the mic. Why do you go to band practice and scream your head off? Take it easy. Use the mic. Don’t compete with the rest of the band – you won’t win.

Published by Deborah Wai Kapohe

I am a professional classical singer with strong crossover ability. I have been in the music business since my graduation from University in 1994. In addition to singing, I have been trained to a high level in classical guitar and brass. My guitar playing enables me to self accompany; I perform professionally as a self-accompanied singer. My brass playing facilitates my playing of Taonga Puoro (traditional Māori instruments). I have begun to focus on my YouTube channel now that my studio is full. I have called this channel 'The Complete Singer' because I am not only a singer, but also a teacher and singer-songwriter; I write songs professionally as well as for relaxation. I believe that old fashioned singing techniques, developed over hundreds of years in Italy, should form the foundation of good singing. I practice exercises daily from books written by Garcia, Marchesi and Melba. In addition to these exercises, I add modern singing exercises. Therefore, this forms the basis of my teaching.

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