Everyone knows it, and most lovers of the old school of Italian singing adore it. Yet how few, even of the cleverest vocalists of to-day, can sing it really well!Herman Klein, Herman Klein and the Gramophone, The recording of Una Voce, page 66
Listening to the finest examples of Bel Canto and learning how to critically engage with the examples is essential for developing one’s ear for the Old Italian School. In the Spotify Playlist below are four of five examples that Klein compares in his article ‘The Recording of Una Voce‘. Klein’s critique gives us insight into the performance of this aria. I suggest you listen to the four recordings and then read pages 66 – 68 of Herman Klein and the gramophone : being a series of essays on the Bel canto (1923), the Gramophone and the Singer (1924-1934), and reviews of new classical vocal recordings (1925-1934), and other writings from the Gramophone. (You can locate this book on Internet Archive to borrow).