Peter Dawson

Peter Dawson, (31 January 1882 – 27 September 1961), Australian Baritone.

Australia produces fine singers. Today’s blog post features the singing of, Australian Baritone, Peter Dawson. It is obvious, by listening, that Peter Dawson, born in Adelaide in 1882, was trained in the Old Italian Method of Singing to produce Bel Canto. Dawson’s sound quality is dark. His attack is clean, intonation secure, legato pure, agility without fault and diction faultless.

We are so lucky to have access to Dawson’s singing which could be used by teachers of singing as the ‘goal post’ for singing in general, and, specifically, singing in English. In this respect, I am very glad to have discovered Dawson’s recordings for both my students and improvement of myself.

Here is a playlist of Peter Dawson’s singing and, below, an example of his teacher’s singing.

Peter Dawson studied with, Englishman, Sir Charles Santley. Sir Charles recorded only a few songs and arias at the end of his career. However, his voice remained fresh – one of the tell-tale signs of good technique! Here is an example of his singing. Examples such as this could be used by teachers of singing as a ‘reminder’ of the Old Italian School of Singing. The power of this example may be enhanced by reading Sir Charles Santley’s books on singing and his memoirs.

Published by Deborah Wai Kapohe

I am a professional classical singer with strong crossover ability. I have been in the music business since my graduation from University in 1994. In addition to singing, I have been trained to a high level in classical guitar and brass. My guitar playing enables me to self accompany; I perform professionally as a self-accompanied singer. My brass playing facilitates my playing of Taonga Puoro (traditional Māori instruments). I have begun to focus on my YouTube channel now that my studio is full. I have called this channel 'The Complete Singer' because I am not only a singer, but also a teacher and singer-songwriter; I write songs professionally as well as for relaxation. I believe that old fashioned singing techniques, developed over hundreds of years in Italy, should form the foundation of good singing. I practice exercises daily from books written by Garcia, Marchesi and Melba. In addition to these exercises, I add modern singing exercises. Therefore, this forms the basis of my teaching.

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