Exchange of Studio Information

Today’s reading included Richard Miller’s book ‘Solutions for Singers: Tools for Performers and Teachers’. On page 201, Miller addressed a question about the sharing of information between studios. This caught my interest today.

It was always a part of my training that teachers and coaches would allow me to record my lessons. I was grateful for this because I realised so much can be overlooked in a lesson.

Now, as an emerging teacher, I encourage students to record lessons. Accordingly, it was amusing to read this passage in Miller’s book. Miller describes a few examples of teachers who do not allow recordings or other teachers to sit in on lessons. (Miller disapproves of this practice, of course).

I have my own fun example. This week, a teacher where I am teaching this term, SOLE Music Academy, and I exchanged lessons. I had questions about microphone techniques for classical singers. A question which is so important in today’s performance world due to outdoor concerts. I learnt a very basic way of practicing with the mic which will help me tremendously. We came to the conclusion that classical singers shouldn’t always be confined to standing rigidly before a mic stand!

Imagine how many opportunities await us if we learn from our colleagues and share information? Especially cross-genre!

Published by Deborah Wai Kapohe

I am a professional classical singer with strong crossover ability. I have been in the music business since my graduation from University in 1994. In addition to singing, I have been trained to a high level in classical guitar and brass. My guitar playing enables me to self accompany; I perform professionally as a self-accompanied singer. My brass playing facilitates my playing of Taonga Puoro (traditional Māori instruments). I have begun to focus on my YouTube channel now that my studio is full. I have called this channel 'The Complete Singer' because I am not only a singer, but also a teacher and singer-songwriter; I write songs professionally as well as for relaxation. I believe that old fashioned singing techniques, developed over hundreds of years in Italy, should form the foundation of good singing. I practice exercises daily from books written by Garcia, Marchesi and Melba. In addition to these exercises, I add modern singing exercises. Therefore, this forms the basis of my teaching.

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