Exchange of Studio Information

Today’s reading included Richard Miller’s book ‘Solutions for Singers: Tools for Performers and Teachers’. On page 201, Miller addressed a question about the sharing of information between studios. This caught my interest today.

It was always a part of my training that teachers and coaches would allow me to record my lessons. I was grateful for this because I realised so much can be overlooked in a lesson.

Now, as an emerging teacher, I encourage students to record lessons. Accordingly, it was amusing to read this passage in Miller’s book. Miller describes a few examples of teachers who do not allow recordings or other teachers to sit in on lessons. (Miller disapproves of this practice, of course).

I have my own fun example. This week, a teacher where I am teaching this term, SOLE Music Academy, and I exchanged lessons. I had questions about microphone techniques for classical singers. A question which is so important in today’s performance world due to outdoor concerts. I learnt a very basic way of practicing with the mic which will help me tremendously. We came to the conclusion that classical singers shouldn’t always be confined to standing rigidly before a mic stand!

Imagine how many opportunities await us if we learn from our colleagues and share information? Especially cross-genre!

Published by Deborah Wai Kapohe

I am a classical singer and guitarist. I have created a project called 'The Lilli Lehmann Project'. The project, lasting from 2020 until 2023, aims to refresh my voice and prepare me to be a singing teacher. The scope of the project is that I am studying Lilli Lehmann's singing book, bibliography, recordings and her reviews, as well as other historical vocal pedagogy. I have chosen this platform in order to blog about my discoveries, demonstrate techniques and exercises, and perform pieces of music. I have done so because I wish to be transparent. I think that if a student is prepared to learn from me then I should stand up to public scrutiny.

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