This year I am undertaking postgraduate research at ARA in Ōtautahi. My subject is the ‘Tikanga of songwriting with Mātauranga Māori’. I am in my final two months of research.
Below is the first draft of the creative work for the research. I am about to embark on the second draft. However, I wanted to share this because I like its simplicity; the next draft will be more complex and dig deeper into the pain of colonization as I experience it. It may also include the sounds of some of the other beautiful Taonga Pūoro that Brian Flintoff has created for my research.
In this draft there are only three instruments – voice, kōauau and tumutumu kōhatu. The purpose of using the kōauau is to limit the voice to an interval of about a fourth. This allows for the exploration of microtones.
The title is simply ‘Rain’.