Breathing with Interruption

Here is a fantastic exercise to develop your breath control. Lilli Lehmann approved of Oskar Guttmann’s book ‘Gymnastics for the Voice’. This exercise is taken from his book. Stand in Oskar Guttmann’s base position (I blogged about this in an earlier post). Breathe in through the nose, suspend for 5 seconds and then exhale throughContinue reading “Breathing with Interruption”

The Start of the Note

Esther Salaman’s book ‘Unlocking Your Voice – Freedom to Sing’ describes the start of the note as a ‘caress of the glottis’, a ‘tiny click’ and ‘imploding’. Here are some sound files I made on a, i and u using the mechanism of the larynx. Salaman’s exercise for beginners is to take a ‘happy surprise’Continue reading “The Start of the Note”

Whirling Currents

Lilli Lehmann’s book ‘How to Sing’ describes the sensations of ‘whirling currents’. She writes “[a] mistaken idea of ‘singing it forward’ misleads most to press it forward and thus allow it to be speedily dissipated”. Here is a demo of one of the many ways to train yourself to find and maintain these whirling currentsContinue reading “Whirling Currents”

Oskar Guttmann’s Breathing Exercises

Concerning the breath and much more besides, there is so much that is excellent in Oscar Guttmann’s ‘Gymnastik der Stimme’ that I can do no better than to refer to it and recommend it strongly to the attention of all earnest students. Lilli Lehmann, How to Sing, 1899/English Version 1914. Lilli Lehmann approved of OskarContinue reading “Oskar Guttmann’s Breathing Exercises”

Coloratura Arias For Soprano

Today, I have great joy in sharing with you one of my Spotify Playlists called ‘Coloratura Arias for Soprano’. The Playlist is based on the G. Shirmer Opera Anthology called by the same name. I am a big fan of the Schirmer anthologies. I appreciate having so many arias in one book, as well asContinue reading “Coloratura Arias For Soprano”

The standard of today’s singing

…the standard of singing is lower than it was, both upon the operatic stage and in the concert room. The voices of contemporary singers do not compare for beauty with those of the past; nor does their technical training, save in the rarest instances, nearly approach the same height of perfection. Herman Klein, Essays onContinue reading “The standard of today’s singing”